Lily Frame Filmmaker's Statement

My Sound Experience on the Master Shot Scene Project by Lily Frame My responsibility for the Master Shot Scene Project was to record the audio during production and mix the final audio in Premiere Pro. Because our time during production was cut drastically on short notice by the location owner, we did not have time to go back and listen to our recording, but after we finished shooting, we went back and observed that there was a buzz from overhead lights, therefore, it was my responsibility to fix it. I went into Adobe Audition and have scrubbed out the noticeable buzz and a drastic observation can be made. My other responsibilities included helping the producer find the bar we shot at called The Blind Elephant. I also helped find the props and dress the set, which is something I am now very passionate about pursuing. I also helped find all the extras.

Pre Visualization Material for the Master Shot Scene by Lily Frame           Ansel Adams described the act of visualization in photography as, “the ability to anticipate a finished image before making the exposure.” This act of visualization is the grounding roots of pre-visualization in film. Creating the pre-visualization materials was a lot more difficult than I imagined. I was unaware that each pre-visualization material built off each other therefore my group began with creating the marked shooting script and then continued to create the storyboard, overhead diagrams, shot list, and budget. Our group designated a part of the assignment to each member based upon our roles, which was effective because we each coordinated times to meet up. The hardest part of the assignment was coordinating four different visions for this story onto the storyboard, but we each collaborated to create something I am really excited to bring to life. 

Sound/Sound Editor for the Master Shot Scene by Lily Frame             My group for the Master Shot Scene has decided to approach the Bran & Park script from the standpoint of two people at a segment of speed dating. In pre-production, I am responsible for assisting the producer, Trevor, in bringing his production design to life. I have been helping him find locations (preferably at a bar), tracking down inexpensive props (candles, rose petals), and creating casting calls. I am also acting as a secondhand set of supervision with checking out all equipment requirements. During production, I am responsible for recording legible audio between the characters of Bran and Park. To record this successfully, I will monitor the H4n and operate with boom mic to record all dialogue. I also help the producer dress the set at this time. Within post-production, I participate in the editing of the project and mixing the final audi...